When I transplanted to Los Angeles in 1981, I had a faint idea that this could be the place of opportunity for me. I almost immediately had the great fortune of working alongside some of the most remarkable talents in recording history. It was from them I learned a passion for achieving the highest artistic presentation of music while at the same time creating a bond of honest intent and trust with the performer. Even today I believe it’s this trust that produces a product that resonates deeply with an artists’ audience. More importantly this non cookie–cutter approach has produced lasting relationships in the industry and many memorable, fulfilling recording experiences that I am grateful for.

After performing and recording with the band Hiroshima (signed to Epic at the time), I pursued work as a session musician. Once again I had the privilege to work with some of our industries most successful producers & engineers such as   Richard Perry, Giorgio Moroder, Bob Clearmountain and Hugh Padgum along with artist such as Herb Alpert, The Jacksons, Michael Bolton and Teddy Pendergras. One of my favorite parts of the production was and still is the “casting” of the right team of people; engineers, musicians and studios to create the perfect “vibe” for the record the artist has in mind.

There is this intangible balance that - while I cannot explain in words – I undeniably know as my truth, that I call “people chemistry”. It is not just talent, or having done or been a part of “hit records” or “being famous” that makes a successful recording. It is the producer’s ability to carefully cast each necessary element or person that will compliment and support the artist’s vision. That being said, it all starts with the producer clearly understanding the artist’s vision.

This responsibility is heightened with the countless stories I have heard over the years of artist being taken advantage of and not getting what they expected. My recipe to prevent this from happening is listening. Listening to the artists’ work, their abilities and vision. This process allows me to achieve a clear understanding of what needs to be done. Essentially I have always looked at recordings as taking a photograph of a moment in the artist life. This is the canvas for me: 1. truly understand the artist, 2. create a great team for the production 3. Create a “space” for the artist to enjoy the ride artistically, physically and conceptually. This formula has been proven for me time and again.

Composition for me has always been my main creative outlet; my means of communicating and recreating personal experiences in music. I love making great recordings that frame an artist’s vision. Just as much I enjoy scoring a film and supporting the emotion that the scene is trying to convey.

There is nothing more gratifying for me to hear than an artist telling me that their musical dream and vision has now become a reality. Helping them to succeed is my job, achieving their dream is the ultimate success.